Information for the SBM walk

Here we've placed eight mosaics and seven ceramics.

This street is named after the battle of Salamanca, fought by Lord Wesley (before he became the Duke of Wellington) on July 22nd 1812. The battle was a decisive moment in the struggle to drive Napoleon and his forces out of the Iberian Peninsula. Wesley was allied to the Portuguese and Spanish forces and was feted as a hero by them after winning the battle of Salamanca. He was being painted by Francisco Goya upon reaching Madrid, and the portrait of Wellington which we have used is inspired by Goya's work.

The ceramics in Salamanca Street reference North Lambeth's role as a major ceramics manufacturing centre, with over 70 potteries making a variety of goods from ceramic pipes and drains to fine art sculptures and vases.

At this stop we have placed six mosaics and six ceramics in the tunnel at the river end of the road.

The Black Prince was Edward III's eldest son, who was a medieval warrior responsible for victories at the Battles of Crecy (1346) and Poitiers (1356). The road is named after him because he owned Kennington Manor at the south end of Black Prince Road.

The ceramics reference the work of Doulton's Lambeth wares.

Here we have turned a large fountain into a mosaic and installed six paving stones.

A large, striking, abstract mosaic on the wall of Chandler Hall.

Plus 4 Charlie Chaplin portraits.

Archbishop's Park is the South Bank's largest open public space (apart from the river walk) and a hidden gem. Here there's a seat we've covered with mosaic (within the children's play area - adults must be accompanied by a child), four murals (in the green shelter) and twelve paving stones.

Above the oak there is a dove of peace, which was made by the Archbishop of Canterbury, Rowan Williams. Rowan suggested another theory, that the name Lambeth may have come from a Saxon word meaning "mud-bank." A picnic is spread to one side of the oak tree and there is a bottle of wine with FOAP on its label - this refers to the Friends of Archbishop's Park who commissioned the work.

We've also worked with children from Johanna Primary School, Evelina children's Hospital and Coin Street Neighbourhood Centre as volunteers, who created four seasonal murals for a shelter in the park. Volunteers from Kings College University helped us out as well, and created seven paving stones for the same shelter.

Here we've installed seven William Blake Murals. These were the first Blake murals installed as part of our studio's major project to create Blake's Lambeth.

In 1809 William Blake wrote that he wanted his work enlarged and put up where the public could see it. The artists and volunteers at Southbank Mosaics are fulfilling Blake's wish, creating a place within North Lambeth where Blake's works, transformed into mosaics, can be seen on the street 24 hours a day, accessible to all and completely free.

28 mosaics and ceramics of William Blake's work are displayed in Centaur Street. These have been made by the artists and volunteers at Southbank Mosaics, with over one hundred people involved in the designing, making and installation process. Southbank Mosaics is leading the way in turning the area around where William Blake lived on Hercules Road, into Blake's Lambeth. William Blake wrote that he wanted to see his work enlarged and put into public space.

The William Blake Heritage Project, sponsored by the Heritage Lottery fund, has seen Southbank Mosaics collaborate with Southbank Sinfonia and Futures Theatre Company, to take the works of William Blake to a wider audience, including young people and the local community, broadening the understanding of Blake's work and keeping his legacy alive. Through a series of workshops and performances in schools, at Waterloo Action Centre, the Festival Hall and St Johns Church Waterloo, Project Blake has reached thousands of people and the permanent exhibition in Centaur Street is viewed by upward of 30,000 people each year.

Currently there are also ten sound boxes, with many of Blake's poems and sayings read by local residents. Push the button and hear the words of William Blake, a wise man from long ago, with attitudes that the chime with many contemporary ideas about justice, equality and the worth of each individual.

We have at least twenty-three works throughout the outside of St. John's church yard (Numbers change, because some of the smaller sculptures are sold, or moved, or added to). Our studio is located in the crypt of St Johns church. If you ring bell number 5 and we're around, we will do our best to welcome you. We've made seven signs, four seating sculptures, one paving stone and there are a dozen or more small sculptures.

There are four sculptural seats in the gardens, the largest of which is a memorial seat for the homeless people who have lived and died on the streets of London. Many of them stayed and at times lived on the streets of Waterloo and used the gardens as a meeting place for friends. These days Putting Down Roots, a branch of St Mungo's charity, works with homeless people to plant, tend and develop the gardens for everyone's use. Southbank Mosaics' artists have worked closely with Putting Down Roots, particularly on the seating projects. Over 80 artists and volunteers helped Southbank Mosaics to design, build and make this first tribute of its kind to the street population.

This stop is located on Tennison Way and Boyce Street and includes two signs and two William Blake murals.

The Train sign uses Seurat's renowned painting of working class bathers at Asnieres, which hangs in the National Gallery, as the basis for a story of a group of people catching the train at Waterloo to visit the countryside and relax. There is also a woman with umbrella and daughter, referencing another work by Seurat: "Un dimanche apres-midi a I'lle de la Grande Jatte".

By Waterloo Bridge, we've made a mosaic indicating where the South Bank Book Market is held. Further east along the Thames River path we put up a mosaic for Gabriel's Wharf. This part of the Southbank Mosaic Walk is particularly nice as you get the view down and across the Thames River, towards St Paul's Cathedral.

The sign on the embankment railings

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